© Rita Maricocchi

Rita Maricocchi

English Department
Westfälische Wilhelms-Universität Münster
Johannisstr. 12-20
48143 Münster
Germany



 

Room: ES129
Phone: +49-(0)251-83-24523
Email: rmaricocchi@wwu.de

Office Hour: Register here

Rita Maricocchi is a graduate of the MA National and Transnational Studies at the University of Münster. Her thesis project entitled “(In)coherent Manifestations of German Identity in Birgit Weyhe’s Madgermanes” engages with discourses on German identity and Otherness in analyzing a contemporary retelling of (East) German and Black German history through the comics medium. She studied at Case Western Reserve University in Cleveland, Ohio and Ruprecht-Karls-Universität Heidelberg as an undergraduate student, majoring in German, French, and Political Science. Before coming to Münster in 2019, she spent one year as a Fulbright English Teaching Assistant at a secondary school in Dresden. Her current PhD project focuses on intersections of the Anglophone and Germanophone in the (postcolonial) German literary and cultural sphere.

In addition, she is particularly interested in increasing dialogue within the university about decolonial topics, reflected in her involvement in the student-initiated Arbeitskreis Postkolonialismus at WWU Münster, for which she co-organizes a bilingual reading group engaging with questions of language, identity, and colonial continuities.

  • Research Interests

    Multilingual literature
    Translation theory
    Postcolonial Graphic Novels & Comics
    Adaptation Studies
    Memory Studies
    Decolonizing the Museum

     

  • Teaching

    Winter Semester 22/23

    Black German Studies: Transatlantic Perspectives
    (co-taught with Eva Tanita Kraaz and Tim Brown)

    Michelle M. Wright advocates a conception of Blackness as multidimensional as opposed to one solely tied to the violence and injustice of the Transatlantic Slave Trade in an attempt to give voice to Black discourses of belonging outside of the Americas. Through a transnational approach we seek to highlight this complex exchange as it presents itself in Black German Studies in both theory and literature. In this seminar we explore ways in which linear narratives of Blackness are intertwined with, but also decoupled from, canonical theories from the United States, which then challenge and revise a singular, static conception of Blackness in the world. We will investigate the undeniable intertextualities between Black Studies and literature in the US and that of Germany; however, we place the focus of this seminar on Black German Studies as a mode of cultural expression in its own right. In considering artistic endeavors from various cultural backgrounds and countries of origin, this course will highlight the complexities and benefits of knowledge exchange in identity building inside hegemonic discourses. The transatlantic voices of the Diaspora as they shape the Black German context play an important role in understanding the complexities of the Black/African Diaspora in our current moment. This course therefore seeks to familiarize students with contemporary debates within and about identity and belonging in Black German Studies as well as the vast networks of knowledge and community building within the emerging discipline.

    Please note: This course is being offered as a joint block seminar between the German and English departments. Readings will include German and English language texts and the course will be taught in a combination of German and English. Because this class will be taught in the block format, each session will require reading-intensive preparation.

    Summer Semester 2022

    Übung Theory and Literature: Contemporary Australian Literature and Culture
    (co-designed with Felipe Espinoza Garrido)

    This course situates Australia in discourses of transnational, migration, Indigenous studies, and Queer studies, thereby contesting any notion of the nation as a stable and homogenous entity in its introduction to contemporary texts and themes emerging from Australia. In engaging with works such as Melissa Lucashenko’s novel Too Much Lip, Shaun Tan’s silent graphic novel The Arrival, Evelyn Araluen’s poetry collection Dropbear, and Sophie Hyde’s film 52 Tuesdays, course participants  are exposed to narratives touching on topics of resistance, trauma, colonialism, and gender, and encouraged to situate them in an increasingly complex national framework for Australia. In working with a variety of media, the course places an emphasis on media-specific analysis, introducing students to terminology and methodologies from literary and cultural studies, comic studies, film studies, as well as spoken word and performance studies. These methodologies are paired with numerous theoretical frameworks from disciplines like Queer studies, migration studies, and Indigenous studies, allowing participants to build on and refine their knowledge from the Introduction to Literary and Cultural Studies courses as well as set their own foci for written and oral evaluations.

    Postgraduate Class II (Literary and Cultural Studies)
    (co-taught with Deborah Nyangulu)

    Designed as a research colloquium to accompany MA National and Transnational Studies students' independent study module and preparations for the MA thesis, this course offers students a platform to present their research ideas and receive feedback from peers and the instructor. It also offers a space to help students develop their own practical research skills and research interests in the field of literary and cultural studies. Students are introduced to some current approaches/theories in literary and cultural studies, including an overview of literary theories and movements and an introduction to cultural analysis. In addition to reflecting on the concept of interdisciplinarity on the importance of historicizing, contextualizing and positionality in research, students will develop skills in writing annotated bibliographies, citation practices, and research proposals. Each student will document work they complete for Research Module I (Semester 1 & 2) in an academic portfolio to be handed in at the end of the term.

    Winter Semester 21/22

    Übung Theory and Literature: Multilingualism and Translation in Anglophone Texts

    With the motto “There is no such thing as a multilingual text!”, taken from Till Dembeck’s provocative 2017 article promoting a multilingual philology, this course intends to explore different ways that anglophone texts can be multilingual and the impact this has on how they are read and understood from an academic perspective. Through engagement with a wide variety of primary texts consisting of full length novels (Jhumpa Lahiri In Other Words, Ocean Vuong On Earth We’re Briefly Gorgeous), novel excerpts (Xialou Guo A Chinese-English Dictionary for Lovers, Chinua Achebe Things Fall Apart), essays (Alicia Elliott “A Mind Spread Out on the Ground”), poetry (Ocean Vuong Night Sky With Exit Wounds), and several activist projects (Weiterschreiben.jetzt, macht.sprache), course participants will craft readings of the texts that attend to their multilingual form and content and are informed by a variety of theoretical approaches, including postmonolingualism, postcolonialism, diaspora studies, and translation studies. In doing so, the course will engage with discourses that challenge notions of “the mother tongue”, national literary canons, and translatability, asking time and again whether and how it matters to read a text as “multilingual.”

  • Academic Activities

    Member of Working group “Against racism and other forms of discrimination”, English Department, WWU Münster

    Co-organizer of Bilingual (DE-EN) Lesekreis, Arbeitskreis Postkolonialismus, AStA Autonomes BIPoC Referat, WWU Münster

    Hostile Terrain 94 Münster Project Contributor, WWU Münster, 18-29 January, 2021. [https://www.ht94muenster.com/]

     

  • Conference Papers

    Co-presented with Eeva Langeveld. "Narrating entanglements of British colonialism and German National Socialism: Barbara Yelin’s Irmina as a disruptive history". 19th Triennial ACLALS Conference: Ruptured Commons. Graduate Student Prize Panel 2. Ryerson University Toronto [Online]. July 11, 2022.

    "Anglophone-Germanophone Colonial Entanglements in Abdulrazak Gurnah’s Fiction: Establishing Frameworks for German Postcolonial Studies in Afterlives". New Perspectives on Cultural Heritage and German Global History, Bonn Center for Slavery and Dependency Studies. July 8, 2022.

    "(Trans)national Memory and Implication in Priya Basil’s Video Essay 'Locked In and Out'". GAPS Annual Conference. Contested Solidarities, Goethe University Frankfurt. May 28, 2022.

    “Canon (Re)formation Through the Ingeborg Bachmann Prize: Sharon Dodua Otoo’s ‘Herr Gröttrup setzt sich hin.’” 5th International Black German Heritage and Research Association Conference. All Black Lives Matter: Black Germany and Beyond, Rutgers University [Online]. February 17, 2022.

    “Intermedial Manifestations of (white) German Identity via Transnational and Postcolonial Contexts in Birgit Weyhe’s Madgermanes and Ich Weiß.” GAPS Annual Conference. Science, Culture & Postcolonial Narratives, University of Oldenburg [Online], Under Construction section. May 14, 2021.

    “(In)coherent Manifestations of German Identity in Birgit Weyhe’s Madgermanes.” Gesellschaft für Comicforschung Annual Conference. Coherence in Comics, University of Salzburg [Online]. October 16, 2021.

    “Translation and Memory in the Humboldt Forum: Priya Basil’s Video Essay ‘Locked In and Out’.” Postgraduate Forum “Postcolonial Narrations” – Modernities in the Contact Zone, University of Potsdam [Online]. October 22, 2021.