Dr. Jörg Albrecht
Artistic & Managing Director Burg Hülshoff – Center for Literature, Havixbeck
“Droste Worlds: How Digital Technology is Opening New Memorial Space” as part of the conference “Digital Curating: Ethics of Access and Sustainability” | 4 March 2026
Dominik Bönisch Alpári
Researcher at the University of Applied Sciences Düsseldorf, MIREVI
“Training the Archive: A Project Review and Lessons Learned” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 6 March 2026
Sebastian Ambros, B.A., LL.B., Maître en droit
Researcher, Institute of Cultural Studies, Universität der Bundeswehr München
“Kulturgut / Eigentum. Philosophische, historisch-kulturwissenschaftliche und rechtswissenschaftlich-ökonomische Überlegungen zu Kulturgut, Eigentum und der Frage, wem ein Gegenstand kulturell und eigentumsrechtlich gehören soll“ | 26 May 2023
Agustina Andreoletti
University of Cologne
“Transcontinental Techno-Accessibility: Collaborative Digitisation of Colonial Heritage Collections” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 5 September 2025
Dr. Mikaél Assilkinga
Linden-Museum Stuttgart
“‘I want to see our objects’. The meaning of ‘digital’ in cultures of touch and spiritual connection” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Lukas Baueregger
State Theatre Augsburg: Digital Theatre
“Ist das noch Theater? – Digitale Räume als Antwort auf analoge Grenzen” as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Anaïs Bayrou, M. A.
Research Assistant at the Digital Law Center, University of Geneva
“Scan It, Own It? How Copyright May Challenge Digital Restitution” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 3 September 2025
Ralf Beekveldt
Spaß am Lesen Verlag, Münster
Participant of the panel discussion “Vereinfachte Zugänge zu Literatur im digitalen Wandel. Perspektiven aus dem Literaturbetrieb” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Tom Bieling
Hochschule für Gestaltung (University of Art and Design), Offenbach am Main
“Politiken des Zugangs – Inklusion als Entwurf” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 18 March 2026
Anna Behrend, M.A.
Documentation Project “Textile Pattern Books”, LWL-Museen für Industriekultur, Dortmund
“Muster in Massen. Dokumentationsstrategien und digitale Perspektiven zur nachhaltigen Erschließung des Bestandes historischer Stoffmusterbücher der LWL-Museen für Industriekultur – eine Projektbilanz” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Dr. Laura Berkemeyer
Improvisation group Momentum
At the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Christian Berlin
Improvisation group Momentum
At the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Jana Bernhardt, M.A.
Researcher, Skulptur Projekte Archiv, LWL-Museum für Kunst und Kultur Münster
Panel talk at the opening of the exhibition “case study #1: Access to Curatorial Networks – Postcards from Kasper König” | 26 May 2025
Anika Birker
Trainee Curator, Museum Neukölln, Berlin
“Welche Hürden gehen mit sensiblen Funden in kleinen Museen einher?” as part of the master class „Zugang zu sensiblen Sammlungen – Digital und analog” | 4 April 2025
Prof. Dr. Beatrice von Bismarck
Academy of Fine Arts Leipzig
“A Labor of Doubt and Repair: Archives and Digital Curating” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 4 March 2026
Adriani Botez
Virtual reality installation SONA
“SONA – Explorations in Sonic VR“ as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Prof. Dr. Marina F. Bykova
Professor of Philosophy, Department of Philosophy and Religious Studies, North Carolina State University, Raleigh (USA)
“Protecting Cultural Heritage During the Wartime: Social-Philosophical Aspects” as part of the workshop „Protecting and accessing cultural goods in wartime – Case Studies and Lessons from Armenia and Ukraine“ | 4 April 2024
Dr. Anna Luise von Campe
Art Museum Ahlen
DIscussion at the exhibition “Konkrete Frauen” at the Art Museum Ahlen within the masterclass “Zugang zu sensiblen Sammlungen – Digital und analog” | 3 April 2025
Jim Chuchu
International Inventories Programme
“IIP Kenya Lecture Performance – Untitled (The empty Museum)” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Christina Danick, M.A.
Curator, Museum Ostwall at Dortmunder U, Dortmund
“Wessen Perspektive? Kuratorische Konzepte im Museum Ostwall – Sonderausstellungen” as part of the master class „Zugang zu sensiblen Sammlungen – Digital und analog“ | 3 April 2025
Natalie Dedreux
Inclusion activist and journalist, Cologne
Participant of the panel discussion “Vereinfachte Zugänge zu Literatur im digitalen Wandel. Perspektiven aus dem Literaturbetrieb” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Antoinette Maget Dominicé
Professor in the Department of Commercial Law, Director of the University Centre for Art Law, University of Geneva
“Legal Postcolonialism in the Digital World. Some Thoughts on Possible Outcomes” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 3 September 2025
Anke Dornbach
Head of Collections Department/Research, Kunstmuseum Moritzburg, Halle (Saale)
“Werke aus kolonialen Kontexten im Kunstmuseum. Aus dem Depot – und dann?” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 3 April 2025
Prof. Pablo Dornhege
Hochschule für Technik und Wirtschaft Berlin
“Spatial Encounters – Virtuelle und hybrid-reale Kulturerlebnisse” as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 5 February 2026
Prof. Dr. Franziska Dübgen
Professor of Political Philosophy and Philosophy of Law, University of Münster
“The Ontological Status of Artworks and the Related Goals of Restorative Justice. Perspectives from African Philosophy” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 3 September 2025
Dr. Yilmaz Dziewior
Director, Museum Ludwig, Cologne
“Bild und Gegenbilder. Otto Mueller im Museum Ludwig” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 4 April 2025
Eric Eggert, M.A.
Scientific Coordinator of the Specialised Information Service Philosophy (FID Philosophie) at the University of Cologne
„Open access publizieren beim FID Philosophie“ | 23 October 2023
Prof. Dr. Rolf Elberfeld
Centre for Advanced Study “Philosophizing in a Globalized World”, University of Hildesheim
“Hildesheim Encyclopedia of Philosophical Sources (HePS): An open-access digital infrastructure for the documentation, interconnection, and visualization of philosophical sources and traditions from around the world” | 4 May 2026
Prof. Dr. Sophie Elpers
Professor of Intangible Cultural Heritage and European Ethnology, University of Antwerp (Belgium)
“Textiles immaterielles Kulturerbe und Museen. Einblicke in Ko-Kreationen aus den Niederlanden” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 12 November 2024
Dr. Chantal Eschenfelder
Städel Museum, Frankfurt a. M.
“Accessibility and Cultural Participation: The Städel Museum’s Digital Strategy” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
Dr. Beatrice Fischer-Miersch
District Office Berlin Mitte, Department of Art, Culture and History / Postgraduate Program CAMPI
“Digital Queer Curating as a Practice of Transformation – Between Responsibility, Power and Collective Spaces” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
Alina Fuchte
Kunstpalast / NRW Forum Düsseldorf
“Changing Museums with Swarm Curation” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 4 March 2026
Adriana Gamann
Student Research Project, TU Dortmund University
“‘Afrika-Drucke’. (Post-)colonial Entanglements of Westphalian Textile Printers” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Prof. Dr. Petra Gehring
Professor for Philosophie at Technical University of Darmstadt
„Der Bericht Nr. 4 über Föderierte Dateninfrastrukturen für die wissenschaftliche Nutzung“ | 22 June 2023
Dr. Philipp Goldbach
Artist
Panel talk at the opening of the exhibition “case study #2: Re:Set: From Slide to Database – Media Change in Art History“ | 3 July 2025
Dr. Sabine de Günther
Curator, Potsdam/Berlin
“Kontextualisierte Kleidung im digitalen Raum” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Rainer Halama
Wikipedia Cultural Ambassador
„Zumutung, Zugang, Zusammenarbeit? Kunst in der Wikipedia als fachliche Herausforderung“ | 20 November 2023
Toulu Hassani
Artist, Cologne
Talk in the exhibition “Konkrete Frauen’ (Kunstmuseum Ahlen)” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 3 April 2025
Apl. Prof. Dr. Henrike Haug
Lecturer (Akademische Rätin) at the Institute for Art History of the University of Cologne
„Zumutung, Zugang, Zusammenarbeit? Kunst in der Wikipedia als fachliche Herausforderung“ | 20 November 2023
Mathilde Heitmann-Taillefer
Curator for Research, Scientific Cooperations and Provenance Research, Museum Folkwang, Essen
“Sammlungskritische Vermittlung am Museum Folkwang” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 3 April 2025
Marie Helbing
Research Officer, LWL Museums of Industrial Heritage, Bocholt
“Sammeln mit Ziel. Werte textiler Firmenüberlieferung” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Prof. Dan Hicks
University of Oxford and Pitt Rivers Museum
““Militarist Realism”: Some Thoughts on Copies, Colonial Legacies, and Cultural Restitution” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Dr. Martin Hoffmann
Department of Philosophy, University of Münster
“Kann der digitale Wandel die Teilhabe von Menschen mit Behinderung fördern? Eine philosophische Reflexion” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 18 March 2026
Prof. Irene Hohenbüchler
Professorship for Cooperative Strategies at the University of Fine Arts Münster, Artist
“Im gemeinsamen Handeln ... wachsen” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 20 March 2026
Sam Hopkins, PhD
Assistant Professor, Academy of Media Arts Cologne
Introduction to the “Access and Return: Restitution in films”, Part 3: Reparative practices of remembering | 1 July 2025
Berit Hummel
Senior Researcher and substitute professor at the Institute for Art History of the University of Münster
„Sculpture in the Expanded Field? Digital Access and Art in Public Space“ as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
„More than Real? Raumerfahrung in virtuellen Bildumgebungen am Beispiel interaktiver Stadtpanoramen“ | 29. April 2024
Prof. Dr. Senka Ibrišimbegović
University of Sarajevo, Bosnia-Herzegovina
„Virtual Present. Dreaming for the Future: Museum before Museum. Ars Aevi Sarajevo“ as part of the converence “Digital Curating: Ethics of Access and Sustainability”| 5 March 2026
Prof. Dr. Jon Ippolito
University of Maine, USA
„Temperature, Truth, and the Planetary Consequences of AI“ (via Zoom) as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
Dr. Jian Jun
Postdoctoral fellow at the School of Architecture and Urban Planning, Tongji University, Shanghai (China)
„Physical Loss and Digital Reclamation – The Curatorial Concept of the China Pavilion at the Venice Biennale“ | 6 May 2024
Dr. Moritz von Kalckreuth
Associated Postdoc Fellow, Max-Weber-Centre, University of Erfurt
„Der Wert von Kulturgütern“ | 13 November 2023
Dr. Holden Kelm
Senior Researcher at Akademienvorhaben „Schleiermacher in Berlin 1808–1834. Briefwechsel, Tageskalender, Vorlesungen“, Berlin-Brandenburg Academy of Sciences and Humanities
„Zugang zu historischen Manuskripten. Zur digitalen Edition von Friedrich Schleiermachers Vorlesungen über die Ästhetik“ | 30 October 2023
Prof. Dr. Sarah Kenderdine
École Polytechnique Fédérale de Lausanne, Switzerland
„Computational Museology: New Relations between Machine Intelligence, Synthetic Artefacts, and Embodied Aesthetics“ as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
Dr. des. Nicolas Kleinschmidt
Landesinstitut für Schule, Bremen
“Eine Ontologie der Autorschaft an (digitalen) Theaterstücken” as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 7 February 2026
Dr. Michael Klipphahn-Karge
Academy of Fine Arts Leipzig
„The Image as a Burden? Digitality after Sustainability“ as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 6 March 2026
Prof. Dr. Gudrun M. König
Professor of Anthropology of Textiles, TU Dortmund University
“Textile Marginalisierungen? Perspektiven der Musealisierung” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Lilian Korner
Frankfurt am Main
“Ästhetiken der Barrierefreiheit am Beispiel von durch 3D-Druck erstellten Tastmodellen” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Dr. Leon Krings
Centre for Advanced Study “Philosophizing in a Globalized World”, University of Hildesheim
“Hildesheim Encyclopedia of Philosophical Sources (HePS): An open-access digital infrastructure for the documentation, interconnection, and visualization of philosophical sources and traditions from around the world” | 4 May 2026
Dr. Uta Kuhl
Curator, Museum of Art and Cultural History Schloss Gottorf, Schleswig
“Werke außereuropäischer Kulturen und die Kunst der Brücke in der Sammlung Rolf Horn. Arbeitsfelder und Forschungs- & Wissensstand” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 3 April 2025
Melissa Kurkut
Milele Museum
“Digital Transformation of the African Ecosystem Through Collaboration, Community, and Creativity: A Milele Museum Case Study” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Anne Leichtfuss
Translator (sign language), Bonn
Participant of the panel discussion “Vereinfachte Zugänge zu Literatur im digitalen Wandel. Perspektiven aus dem Literaturbetrieb” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Heidi Liedke
Goethe University Frankfurt
“Körperliche Mit-Präsenz: Theater, Digitalität, Zeitlichkeit” as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 5 February 2026
Dr. Katrin Lindemann
Curator, Kunstgewerbemuseum, State Museums of Berlin
“Kontextualisierte Kleidung im digitalen Raum” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Marcus Lobbes
Director of the Academy for Theatre and Digitality Dortmund
“Theater ist Werkstatt. Theater ist Forschung. Theater ist Zukunft.” | 26 June 2026
Prof. Dr. Toni Loh
Hochschule Bonn-Rhein-Sieg (University of Applied Sciences)
“Ethik, Leichte Sprache und Teilhabe. Ein Dilemma am Beispiel der ethischen Fallbesprechung” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 18 March 2026
Prof. Dr. Annette Löseke
University of Fine Arts, Braunschweig
“Cultural Heritage in the Post-Digital: Berlin’s Pergamon Museum and the Panorama Exhibition by Yadegar Asisi” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 5 September 2025
Claus Lüdenbach
Head of the Volkshochschule Esslingen
“Digitalisierung und kulturelle Teilhabe bei Volkshochschulen. Die digitale Wissensreihe vhs.wissen live” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 20 March 2026
David Ludwig
Doctoral candidate, Humboldt University Berlin, Institute of Art and Visual Studies
“Bild und Sitte. Zwischen Pornografie und sexueller Repräsentation im politisch-wissenschaftlichen Diskurs von 1870 bis 1933” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 4 April 2025
Claudia Marciniec
Documentation Project “Textile Pattern Books”, LWL Museums of Industrial Heritage, Bocholt
“Muster in Massen. Dokumentationsstrategien … – eine Projektbilanz.” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Francis Marshall
London Museum, United Kingdom
“Immaterial Culture: Collecting digital ‘objects’ at London Museum” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 6 March 2026
Jochen Meister
Kunstpaten München
“Kunst im Ohr – ein Livestream für alle Sinne. Erfahrungen mit einem Online-Projekt” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 20 March 2026
Prof. Dr. Ludwig D. Morenz
Professor for Egyptolgy, Department of Cultural Analysis and Cultural Anthropology, University of Bonn
“Kopieren als Adaptieren” | 26 May 2026
Nina Mühlemann
University of Applied Sciences, Bern
“No Limit? Barrierefreiheit, Inklusion und digitales Theater” as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Dr. Johannes Müller-Salo
Deputy Professor of Philosophy, University of Münster
„Braucht es eine Zugangsbefähigung für kulturelle Güter?“ | 6 July 2026
Haykuhi M. Muradyan, PhD
Lecturer, Department of Cultural Studies, Yerevan State University, Armenia
“Refugee Heritage: Monuments, Museums and Private Collections in a New Reality” as part of the workshop “Protecting and Accessing Cultural Goods in Wartime – Case Studies and Lessons from Armenia and Ukraine” | 6 April 2024
Lydia Nafula
International Inventories Programme | Nairobi, Kenya
“IIP Kenya Lecture Performance – Untitled (The empty Museum)” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Marina Nething
Museum Ulm
“Changing Museums with Swarm Curation” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 4 March 2026
Clara Niermann
Trainee Curator, Museum Ostwall at Dortmunder U, Dortmund
“(Nicht) Vorhandene Sammlungen” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 4 April 2025
George Juma Ondeng
International Inventories Programme | Nairobi, Kenya
“IIP Kenya Lecture Performance – Untitled (The empty Museum)” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Philine Pahnke
Research Assistant, Kunsthaus Dahlem, Berlin
“Exhibits in Perspective” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 2 April 2025
Jolanta Paliszewska
University of Applied Sciences Potsdam
“Die ganze Gesellschaft im Blick – ein effektvolles Tool für einen neuen Designansatz” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Olena Pavlova
Professor of Ethics, Aesthetics and Cultural Studies, Taras Schevchenko National University, Kyiv, Ukraine
“Digitalization of the Local Community: A Culture of Vigilance in Wartime Conditions” as part of the workshop “Protecting and Accessing Cultural Goods in Wartime – Case Studies and Lessons from Armenia and Ukraine” | 5 April 2024
Prof. Dr. Hamlet L. Petrosyan
Professor of Cultural Studies, Yerevan State University (Armenia)
“Issues of Cultural Heritage Protection During the War: The Experience of monumentwatch.org Academic Platform” as part of the workshop “Protecting and Accessing Cultural Goods in Wartime – Case Studies and Lessons from Armenia and Ukraine” | 6 April 2024
Dr. Katrin Pfeiffer
Associate Researcher, Asia Africa Institute, University of Hamburg
“Cultural Memory and Decolonization: The Digitization of the National Archive in The Gambia” | 14 September 2023
Dr. Tanja Pirsig-Marshall
LWL-Museum für Kunst und Kultur, Münster
“Through the Mill: Otto Mueller” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 4 April 2025
“„Forum der Völker, Werl“ – Navigating Restitution: Digital Tools and Concepts for Colonial Collections Management” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Prof. Dr. Sophia Prinz
Professor of Design Theory and History at the Zurich University of the Arts (ZHdK)
„Die Ausstellung als Interface. Analoge und digitale Displays“ | 9 December 2024
Prof. Dr. Marie-France Rafael
Zurich University of the Arts, Switzerland
“Curating with the Carrier Bag: Institutional Critique and Feminist Collectivity in the Digital Realm” as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 4 March 2026
Anna Rakityanskya
Librarian for Russian and Belarusian Collections, Harvard Library, Cambridge, MA (USA)
“The SUCHO Ukrainian War Memes Archive: An International Effort in Preserving Intangible Cultural Heritage in Wartime” as part of the workshop „ Protecting and Accessing Cultural Goods in Wartime“ – Case Studies and Lessons from Armenia and Ukraine“ | 5 April 2024
Haleh Redjaian
Artist, Berlin
Discaussion at the exhibition „Konkrete Frauen“ (Art Museum Ahlen) as part of the masterclass „Zugang zu sensiblen Sammlungen – Digital und analog“ | 3 April 2025
Lisette Reuter
Head of Un-Label, Cologne
“Aesthetics of Access aus Perspektive freier Kulturproduktion” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 20 March 2026
Renée Riedler
University of Vienna and Weltmuseum Vienna
“Beyond Restitution: The Role of Replicas in Cultural Transmission and Heritage Preservation” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 5 September 2025
Simon Rittmeier
International Inventories Programme
“IIP Kenya Lecture Performance – Untitled (The empty Museum)” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 4 September 2025
Prof. Dr. Mariya Rohozha
Professor of Philosophy, Taras Shevchenko University in Kiev
“Memes in Transformation of the Ukrainian Media Landscape in the Context of War” | 15 January 2024
Dr. Evelyn Runge
Senior Researcher at the Institute for Media Culture and Theatre, University Cologne
“Digital Visual Journalism: Ethical Considerations in the Making. A Defining Photo from Ukraine” | 15 April 2024
Anush Safaryan
PhD Student, Yerevan State University (Armenia)
“Signs, Symbols and Monuments in Armenian-Azerbaijani Conflict” as part of the workshop „ Protecting and Accessing Cultural Goods in Wartime“ – Case Studies and Lessons from Armenia and Ukraine“ | 6 April 2024
Juliane Sander
Research Associate and Collections Curator for Textiles, Franconian Open-Air Museum Bad Windsheim
“Bestandsaufnahme. Digitale Erfassung zur Strukturierung einer musealen Sammlung und Kontextualisierung historischer Kleidung” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Dennis Scheiba
Virtual reality installation SONA
„SONA – Explorations in Sonic VR“ as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Lisa Marei Schmidt
Director, Brücke Museum, Berlin
“Whose Expression? Über den Umgang mit der Kunst der Brücke im kolonialen Kontext. Eine Reflexion” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 2 April 2025
Prof. Dr. Yvonne Schmidt
University of Applied Sciences, Bern
“No Limit? Barrierefreiheit, Inklusion und digitales Theater” as part of the conference “Strukturwandel des Publikums? Konsequenzen des digitalen Wandels für den Zugang zum Theater” | 6 February 2026
Franka Schneider
Curator and Research Assistant at the Museum of European Cultures, Berlin
“Im Schatten des Schönen – Stopfmustertücher” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 12 November 2024
Gunda Schröder
Hamburger Museumsdienst
“Vielsinnliche Improvisation als künstlerische Forschungspraxis” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Miklas Schulz
University of Hildesheim, Institute of Pedagogy
“Das auditive Lesen der gesprochenen Schrift. Zum Umgang mit Stimmsynthesen von Screenreadern” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Dr. Anja Schürmann
Researcher and Permanent Research Fellow at the Kulturwissenschaftliches Institut Essen (Institut for Advanced Study in the Humanities)
„Zumutung, Zugang, Zusammenarbeit? Kunst in der Wikipedia als fachliche Herausforderung“ | 20 November 2023
Regina Selter
Director, Museum Ostwall at Dortmunder U, Dortmund
“Wessen Perspektive? Kuratorische Konzepte im Museum Ostwall – Sonderausstellungen” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 3 April 2025
Anna Sokolova
Artist, Düsseldorf
„KINBURN: Insight-Specific Game“ as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
Prof. Dr. Dr. h. c. Andreas Speer
Professor for Philosophy at the University of Cologne
„Open access publizieren beim FID Philosophie“ | 23 October 2023
Andreas Stobbe
aibo Verlag, Rösrath
Participant of the panel discussion “Vereinfachte Zugänge zu Literatur im digitalen Wandel. Perspektiven aus dem Literaturbetrieb” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Robert Stock
Humboldt University Berlin, Department of Cultural History and Theory
“Creative Access: Künstlerische Praktiken und Übersetzungen des Sensorischen durch digitale Zugänglichkeit” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 19 March 2026
Prof. Dr. Katja Stoppenbrink
Munich University of Applied Sciences
“Digitale Transformation, Teilhabe und gutes Leben von Menschen mit Behinderung” as part of the conference “Kulturelle Teilhabe im digitalen Wandel – Ethik, Ästhetik und Praxis des Zugangs zu kulturellen Gütern von Menschen mit Behinderungen” | 18 March 2026
Prof. Dr. Ursula Ströbele
Professor of art studies specialising in contemporary art at Braunschweig University of Art
“The Sculptural in the (Post-)Digital Age” | 13 May 2024
Dr. Emily K. N. Teo
Research Fellow, Gotha Research Centre, University of Erfurt
“Museum Collections from Kunstkammer to Digital Technologies: A Historical Perspective” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 2 April 2025
Dr. Carlos Korassi Téwéché
University of Münster
“Ways of Seeing. Beyond Restitutions” within the workshop “Digital Restitution: Bridging Access, Conservation, and Ethical Challenges” | 3 September 2025
Prof. Dr. Magdalena Tyżlik-Carver
Aarhus University
„Fermenting Data and Curating Superintelligences: Sustainability and Access in the Posthuman World“ as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 6 March 2026
Prof. Dr. Annette Urban
Ruhr University Bochum
„Artistic-Curatorial Practices of Virtual (Re)Construction“ as part of the converence “Digital Curating: Ethics of Access and Sustainability” | 5 March 2026
Dr. Marianne Wagner
Curator, LWL-Museum für Kunst und Kultur Münster
„Low-Threshold Access: Joseph Beuys’ Multiples“ – Guided tour as part of the workshop „Caroline Tisdall and Joseph Beuys – Photography, Ephemeral Art and Law“ | 29 September 2023
Panel talk at the Opening of the exhibition “case study #1: Access to Curatorial Networks – Postcards from Kasper König” | 26 May 2025
Dr. Jan C. Watzlawik
Research Associate, Institute of Art and Material Culture, TU Dortmund University
“Accessoires als Access. Analysen musealer Moden” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Vanessa Wendrich
Student Research Project, TU Dortmund University
“‘Afrika-Drucke’. (Post-)colonial Entanglements of Westphalian Textile Printers” as part of the conference “Zugänge zum Textilen. Wissenschaftliche, kuratorische und digitale Perspektiven” | 11 November 2024
Dr. Denys Yashny
Kyiv (Ukraine)
“Historical Technologies Destroyed by Russia: The Consequences of the Occupation of Crimea” as part of the workshop “Protecting and Accessing Cultural Goods in Wartime“ – Case Studies and Lessons from Armenia and Ukraine | 5 April 2024
Dr. Valerij Zolotukhin
Visiting scholar at the Seminar für Slavistik and the Lotman-Institut für russische Kulturstudien Ruhr University Bochum
“Listening to Early Audio Recordings Today: A Memory Studies Perspective on the First Soviet Collection of Writers’ Voices” | 22 June 2026
Judith Zweck, M. A.
University of Tübingen | Linden Museum Stuttgart
“‘This Disparate Register is a Biography.’ Fragmentary Approaches to Object Biographies” as part of the master class “Zugang zu sensiblen Sammlungen – Digital und analog” | 2 April 2025