
Dynamic storytelling formats such as television series and digital games call for a reassessment of the relationship between time and literary narrative. Their individual inherent times or Eigenzeiten alter our sense of time and enable an experience of time that manifests itself in new forms of temporal agency. The reorientation of the cultural practice of ‘narration’ challenges traditional distinctions: plot and narrative, text and image, fact and fiction, production and reception. This volume points to the phenomenon of time in literary fiction by discussing, applying and comparing three theoretical models: structural narratology, social systems theory and model theory. In doing so, it presents three theoretical perspectives that respond to the media transformation of storytelling and discuss new areas of conflict pertinent to both contemporary narrative culture and the shaping of the theoretical debate. / Hanover (Wehrhahn) 2026, in print
