Aldous Huxley Annual

Aldous Huxley Annual: A Journal of Twentieth-Century Thought and Beyond
edited by Bernfried Nugel and Gerhard Wagner

Aldous Huxley Annual at LIT-Verlag
LIT-Verlag

The Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Münster, Germany (see AHS homepage). It publishes essays on the life, times, and interests of Aldous Huxley and his circle.

Submission deadline for vol. 25: 31 July 2026.
Submissions in English (Microsoft Word document) must conform to the MLA Handbook.

General Editors:
Bernfried Nugel, Englisches Seminar, University of Münster (nugel@uni-muenster.de).

Gerhard Wagner, Englisches Seminar, University of Münster (gwagner1@uni-muenster.de)

AHA is published by LIT Verlag, Fresnostr. 2, 48159 Münster (Germany).

AHA, 1 (2001), 239 pp., ISBN 3-8258-4370-X

Contents:

• Aldous Huxley, “Utopias, Positive and Negative (1963),” 1-9
   (edited and with an afterword by James Sexton)

• Joseph R. Jones, “Huxley in Lima,” 11-28

• W. J. Stankiewicz, “Aldous Huxley Our Contemporary (A Political Theorist’s View),” 31-41

• Donald Watt, “A Modest Proposal: Brave New World as Contemporary Film,” 43-64

• David Garrett Izzo, “‘Dear Gerald’: Letters to and from Aldous Huxley, Gerald Heard, and Friends,” 65-84

• Paul Eros, “‘A Sort of Mutt and Jeff’: Gerald Heard, Aldous Huxley, and the New Pacifism,” 85-115

• Ian Ross, “Towards The Perennial Philosophy: A Meditation on Aldous Huxley’s Essay ‘Beliefs’ and
   David Hume’s Resort to Book Burning,” 117-143

• Gerhard Wagner, “Aldous Huxley as Anthologist: Texts and Pretexts and The Perennial Philosophy,”
   145-155

• Peter Firchow, “Brave at Last: Huxley’s Western and Eastern Utopias,” 157-174

• Sanford E. Marovitz, “A ‘Phantasy’ and A Fable: Huxley and Faulkner on Nationalism and War,” 175-189

• Willi Real, “From Brave New World to Island: Didactic and Methodological Suggestions for a New Course
   Plan,” 191-209

• Bernfried Nugel, “How Reliable Are the Current Huxley Texts? Toward a Critical Edition of the Works of
   Aldous Huxley,” 211-225

• Jerome Meckier, “Aldous Huxley’s American Experience: The Inaugural Lecture for the Centre for Aldous
   Huxley Studies, Münster,” 227-239

AHA, 2 (2002), 243 pp., ISBN 3-8258-6280-1

Contents:

• James Sexton, “Aldous Huxley’s Early Excursions into Literary Criticism: Some Lesser Known Essays,”
   1-6
• Aldous Huxley, “[Sir John Davies: Self-Knowledge]” (1920), 7-10
                                “[Sir Kenelm Digby’s ‘Closet Opened’]” (1920), 10-13
                                “Forgotten Satirists” (1920), 13-24
                                “On Wit” (1920), 24-27
                                “Pope” (1919), 27-30
                                “[Ossian]” (1920), 30-33
                                “[Godwin and Bailey]” (1920), 33-36
                                “[Erasmus Darwin and Anna Seward]” (1919), 36-39
                                “[Edmund Gosse]” (1919), 40-43
                                “Poetry and Science” (1919), 43-46
                                “Ruskin” (1919), 46-49
                                “[Butler’s Erewhon]” (1934), 49-54
                                “Lawrence in Etruria” (1932), 55-57
                                “Censorship” (1930), 58-61
                                “The Relevance of Style” (1967), 61-64

• Lothar Fietz, “Life, Literature ant the Philosophy of ‘As If’: Aldous Huxley’s and Lawrence Durrell’s Use
   and Critique of ‘Fictions’,” 65-102

• Pierre Vitoux, “Aldous Huxley and Poetry,” 103-119

• June Deery, “A Neglected Form: Huxley’s Short Stories and the Relation Between Art and Money,”
   123-145

• David Bradshaw, “Huxley’s ‘Tinpot Mussolini’ and the KKK’s ‘White Fox’: A New Source for Everard
   Webley and the Brotherhood of British Freemen,” 146-159

• David King Dunaway, “NPR’s 1997 ‘Morning Edition’ on Brave New World,” 161-164

• David King Dunaway, “Huxley and Human Cloning: Brave New World in the Twenty-First Century,”
   165-179

• Joel Deshaye, “Attention from Saskatchewan: Huxley, Osmond, and the Psychedelic History of The
   Doors of Perception and Island,” 181-205

• Dana Sawyer, “‘What Kind of a Mystic Was Aldous Huxley Anyway?’ A Brief Appraisal of His Mysticism,”
   207-218

• Bernfried Nugel, “Two Unpublished Essays by Aldous Huxley,” 219-222
• Aldous Huxley, “Literature and Modern Life,” 223-233
                                “Science, Technology and Beauty,” 235-243

AHA, 3 (2003), 237 pp., ISBN 3-8258-7137-1

Contents:

• James Sexton, “Background to Brave New World: Five Essays by Aldous Huxley,” 1-9
• Aldous Huxley, “Notes on Decoration” (1930), 11-14
                                “Puritanism in Art” (1930), 15-17
                                “Modern Amusements,” 18-20
                                “Christ and the Present Crisis,” 21-23
                                “Pareto’s Museum of Human Stupidity” (1935), 24-32

• Aldous Huxley, “Brave New World: A Musical Comedy” (1956), 33-128
   (edited by Bernfried Nugel and with an afterword by Jerome Meckier)

• Margaret F. Sloan, “Frank Hamilton Cushing: A Source for Huxley’s Brave Old World,” 129-153

• Jerome Meckier, “Onomastic Satire: Names and Naming in Brave New World,” 155-203

• A. A. Mutalik-Desai, “Crome Yellow Revisited,” 205-216

• Claudia Rosenhan, “Aldous Huxley and Anti-Semitism,” 217-237

AHA, 4 (2004), 230 pp., ISBN 3-8258-8272-1

Contents:

• James Sexton, “Some Unfamiliar Travel Essays by Aldous Huxley,” 1-3
• Aldous Huxley, “From a Tourist’s Notebook” (1923), 5-12
                                “The Tyranny of the Guide-Book” (1923), 13-15
                                “Oldest and Newest” (1923), 16-18
                                “God and Mammon” (1933), 19-20
                                “Chichicastenango” (1934), 21-22
                                “The Riddle of Guatemala” (1934), 22-25
                                “Notes on the Way, 3 July 1937,” 26-31
                                “Notes on the Way, 17 July 1937,” 31-32
                                “Out of Time into Space” (1962), 33-35

• Aldous Huxley, The Genius and the Goddess (1957), 36-204
    (edited by Bernfried Nugel and with an afterword by Jerome Meckier)
• Bernfried Nugel, “A Note on the Text,” 39-41
• The Genius and the Goddess, 42-134
    Appendix 1: “Facsimile Pages from the Typescript,” 135-141
    Appendix 2: “Revisions of the Play,” 143-152
    Appendix 3: Aldous Huxley, “Letter to Helen Harvey,” 153-155
    Appendix 4: Aldous Huxley, “Postscript to a Misadventure,” 157-159
• Jerome Meckier, “Afterword,” 161-204

• Peter E. Firchow, “Aldous and Julian: Men of Science, Men of Letters,” 205-230

AHA, 5 (2005), 230 pp., ISBN 3-8258-9292-1

Contents:

• James Sexton, “Aldous Huxley aka Condé Nast’s ‘Staff of Experts,’ Part I,” 1-10
• Aldous Huxley, Part I: Essays on Painting
                                “The Mind of Leonardo” (1919), 13-15
                                “Art and the Quality of Life” (1923), 16-18
                                “Mark Gertler” (1922), 19-21
                                “The William Strang Memorial Exhibition” (1922), 22-24
                                “The Grosvenor Gallery Exhibition” (1922), 25-28
                                “Nevinson at the Leicester Galleries” (1921), 29-31
                                “Paintings by Simon Bussy” (1922), 32-34
                                “A Modern Fresco Painter” (1922), 35-37
                                “The Autumn Picture Season” (1922), 38-40
                                “Notes on the Work of Vladimir Polunin and on the Contemporary
                                  Reaction Against Realism” (1923), 41-42
                                “The Art of Duncan Grant” (1923), 43-44
                                “French Art of the XIXth Century” (1923), 45-47
                                “The Unknown God” (1923), 48-51
                                “The Art of Roger Fry” (1923), 53-55
                                “Vorticists, French and English Drawings, Mestrovic” (1916), 56-58
                                “[Comic Papers]” (1919), 59-61
                                “Dead Nature or Life” (1923), 62-64
                                “Leonardo, Then and Now” (1952), 65-67

• Jerome Meckier, “Crome Yellow: The Georgian Poet Orders His Tomb,” 69-96

• Peter E. Firchow, “Nancy (Myra, Lucy); Carrington (Mary, Anne); and Aldous (Theodore, Walter): Fact and
   Fiction,” 97-115

• Michel Weber, “On Religiousness and Religion: Huxley’s Reading of Whitehead’s Religion in the Making
   in the Light of James’s Varieties of Religious Experience,” 117-132

• Samantha Vibbert, “The Influence of Freud’s Beyond the Pleasure Principle on Huxley’s Brave New
   World,” 133-149

• Anna Deters, “Eyeless in Gaza: Mystical Means and Socio-Political Ends,” 151-165

• Michael Snyder, “Premonitions of the Postmodern: Aldous Huxley’s After Many a Summer Dies the Swan
   and Los Angeles in the Thirties,” 167-192

• Irina Golovacheva, “Witches and the Devil in Salem and Loudun: Aldous Huxley, Marion Starkey and
   Arthur Miller on Demonic Possession,” 193-213

• Valery Rabinovitch, “Aldous Huxley and Russia: Brief History of a Dialogue,” 215-230

AHA, 6 (2006), 211 pp., ISBN 978-3-8258-1436-6

Contents:

• James Sexton, “Aldous Huxley aka Condé Nast’s ‘Staff of Experts’,” 1-6
• Aldous Huxley, Part II: Essays on Architecture, Applied Arts and Sculpture
                                “The Problem of Uniformity” (1924), 9-11
                                “Sir Christopher Wren, 1632-1723, Architect” (1923), 12-16
                                “Architects and Their Problems” (1921), 17-19
                                “Beauty in Common Life” (1921), 20-22
                                “The Effects of Time” (1921), 23-25
                                “Architecture and the Modern Environment” (1922), 26-28
                                “Contemporary Architecture” (1923), 29-31
                                “Architecture and Literature” (1923), 32-34
                                “Art and Craftmanship in Industry” (1935), 35-37
                                “Art and Industry” (1922), 38-40
                                “Comfort and Period Furniture” (1922), 41-43
                                “Does the Twentieth-Century Style Exist?” (1922), 44-46
                                “The Lesson of the Adams” (1923), 47-48
                                “The Work of Some Modern Decorative Artists” (1926), 49-52
                                “An English Sculptor” (1923), 53-55
                                “An Ancient and Two Moderns” (1922), 59-61

• Jake Poller, “‘These Maximal Horrors of War’: Aldous Huxley, Garsington and the Great War,” 63-75

• Brian Smith, “Beyond Totalitarianism: Hannah Arendt and Aldous Huxley’s Brave New World,” 77-104

• Jerome Meckier, “Satire as ‘Discriminative Sympathy’: Form and Format in Lady Chatterley’s Lover,”
   105-134

• Lothar Fietz, “Myth, History and Utopianism: Ideology and Ideology Criticism in Aldous Huxley’s Work,”
   135-147

• A. K. Tripathy, “The Bhagavad Gita in Aldous Huxley’s Work,” 149-158

• K. S. Gill, “Nirvana for Agnostics: Aldous Huxley and the Asian Context,” 159-176

• Bernfried Nugel, “A Preliminary Catalogue of Aldous Huxley’s Manuscripts, Typescripts and Proofs at
   Laura Huxley’s Residence,” 177-211

AHA, 7 (2007), 241 pp., ISBN 978-3-8258-1939-2

Contents:

• Peter Edgerly Firchow, “Huxley and Isherwood: The California Years,” 1-12

• James Sexton, “The Unknown Huxley: An Anthology of Uncollected Prose 1919-1963,” 13-21
• Aldous Huxley, “[Simplicity]” (1919), 23-27
                                “Satire and Native Woodnotes” (1919), 27-29
                                “Poetic Temperatures” (1920), 30-33
                                “A Country Walk” (1920), 34-37
                                “Imaginary Conversation - Sir Kenelm and Venetia Digby” (1921), 38-43
                                “American Poetry” (ca. 1921), 44-47
                                “The Puppets” (1921), 48-51
                                “Anything But the Truth” (1921), 52-53
                                “Proust in English” (1922), 54-57
                                “Comedy and Tragedy” (1922), 58-59
                                “High Art and Tediousness” (1922), 60-61
                                “Public Opinion and Personal Liberty” (1922), 62-64
                                “Confound Their Politics” (1922), 65-66
                                “Poets and Weddings” (1923), 67-72
                                “The Wedding Breakfast” (1923), 73-78
                                “A Motto for America” (1926), 79-80
                                “The University of Travel” (1927), 81-84
                                “In the Midst of Life” (1927), 85-86
                                “Snobs” (1927), 87-89
                                “Bores” (1927), 90-91
                                “Authors Who Cannot Write Films” (1927), 92-93
                                “Witches Still” (1927), 94-96
                                “Freaks in Books - And Those You Meet at Dinner” (1929), 97-99
                                “The Things That Interests Me” (1931), 100-102
                                “The Future of Leisure” (1933), 103-106
                                “Manifesto” (1934), 107-109
                                “Civilization and Sex” (1934), 110-113
                                “Personality” (1934), 114-117
                                “Progress and the Individual” (1935), 118-121
                                “Anthropology and Social Reform” (1935), 122-125
                                “I Am a Highbrow” (1935), 126-128
                                “[Maxim Gorki]” (1939), 129-131
                                “Propaganda in Wartime” (1940), 132-133
                                “Dust” (1941), 134-139
                                “Who Are You?” (1944), 140-154
                                “[Appendix: An Interview with Claire Myers Owens:]
                                  Aldous Huxley to Tea” (1954), 155-158
                                “Note on Kafka” (ca. 1946), 159
                                “Whose History?” (1947), 160-165
                                “On Adaptation” (1957), 166-170
                                “Exploring the Borderlands of the Mind” (1961), 171-178
                                “Salt” (1963), 179-183

• Jerome Meckier, “On D. H. Lawrence and Death, Especially Matricide: Sons and Lovers, Brave New
   World, and Aldous Huxley’s Later Novels,” 185-221

• Lothar Fietz, “At the Crossroads of Science, Metaphysics and Religion: Aldous Huxley and Erwin
   Schrödinger,” 223-241

AHA, 8 (2008), 238 pp., ISBN 978-3-643-10450-2

Contents:

• Bernfried Nugel & Gerhard Wagner, “‘The Nun’s Tragedy’: An Unknown Story by Aldous Huxley,” 1-3
• Aldous Huxley, “The Nun’s Tragedy”, 5-30

• James Sexton, “The Problems of Love: Three Little-Known Stories by Aldous Huxley: ‘Over the
   Telephone’–‘Nine A.M.’–‘Consider the Lilies’,” 31-39
• Aldous Huxley, “Over the Telephone” (1923), 41-48
                                “Nine A.M.” (1924), 49-60
                                “Consider the Lilies” (1954), 61-89

• Gerhard Wagner, “Aldous Huxley and the Desert,” 91-107

• Sanford E. Marovitz, “A New Look at The Art of Seeing,” 109-124

• James Sexton, “Fictional and Historical Sources for After Many a Summer,” 125-136

• David Leon Higdon, “Aldous Huxley and the Hopi Snake Dance,” 137-152

• Ronald Lee Zigler, “Democratic Values and the Social Visions of Aldous Huxley: The SAT as our Brave
   New Test,” 153-165

• Willi Real, “Aldous Huxley’s Brave New World as a Parody and Satire of Wells, Ford, Freud and
   Behaviourism in Advanced Foreign Language Teaching (FLT),” 167-206

• Sanjukta Dasgupta, “Geographics and Gender: Ideological Shifts in Brave New World and Island,”
   207-219

• Dana Sawyer, “‘Brave New World-View’: Aldous Huxley, Environmental Prophet,” 221-238

AHA, 9 (2009), 227 pp., ISBN 978-3-643-10846-3

Contents:

• James Sexton, “A New Huxley Miscellany,” 1-12
• Aldous Huxley, Stories: “Miss Zoe” (1917), 13
                                               “A New Hat” (1922), 14-15
                                               “The Ladder” (1922), 16-17
                                               “The Cough” (1922), 18-19
                                Poems: “[Soap]”, 21
                                               “On the Road to Garsington”, 22
                                               “Lines on a Certain Music”, 22
                                               “Before Sleep Comes” (1924), 23
                                               “The Mill Wheel” (1924), 23
                                               “Clouds Over Carrara” (1924), 24
                                               “Smithfield” (1927), 25
                                               “Made Not Born” (1931), 26
                                               “The Lady and the Pug”, 29
            Essays & Reviews: “The Poetry of Faith” (1919), 30-32
                                               “[Lorenzo Da Ponte]” (1920), 33-35
                                               “[Landor]” (1919), 36-37
                                               “[Human Oddities]” (1920), 38-40
                                               “[London and Paris]” (1921), 41-43
                                               “Dreams” (1924), 44-46
                                               “Concerning Dutch Architecture” (1924), 47-50
                                               “Classical Traditions and Common Sense” (1924), 51-53
                                               “The Architecture Club Exhibition” (1923), 54-56
                                               “The Problem of Architecture in the Town” (1922), 57-60
                                               “How to Be Homely Though Handsome” (1922), 61-64

Papers from the Fourth Aldous Huxley Symposium:
• Bernfried Nugel, “Aldous Huxley’s Revisions of the Old Raja’s Notes on What's What in His Final
   Typescript of Island,” 69-90
• Gerd Rohmann, “Matters of Life and Death: Montaigne and Buddhist Philosophy in Huxley’s Analysis of
   the American Dream and His Personal Experience,” 91-102
• Guin A. Nance, “Biblical Interpolations in Aldous Huxley’s The Perennial Philosophy,” 103-114
• Jake Poller, “‘God-Intoxicated’: An Essay on Jiddu Krishnamurti and His Relationship with Aldous
   Huxley,” 115-132
• Akhilesh Kumar Tripathy, “Aldous Huxley’s Literary and Spiritual Odyssey: From Euro-English to Indo-
   Eastern Shores via America,” 133-144
• Grzegorz Moroz, “The Narrative Personae of Aldous Huxley’s Travel Books,” 145-182
• Valery Rabinovitch, “The Critical Dialogue Between Brave New World and Island,” 183-190
• Eva Oppermann, “The Role of the Snakes in Aldous Huxley’s The Crows of Pearblossom and Island,”
   191-202

The First Peter Edgerly Firchow Memorial Essay Prize:
• Brian Smith, “Jeffersonian Reminders: Aldous Huxley on Property, Happiness and Freedom,” 205-227

AHA, 10/11 (2010/2011), 341 pp., ISBN 978-3-643-90284-9

Contents:

I. Uncollected Writings by Aldous Huxley (1916-1963)
• Aldous Huxley, “Hamlet’s Tablets,” 1-4
                                “The Chimney,” 5-6
• “Afterword” by Jerome Meckier, 7-8
• Aldous Huxley, “Life and Poetry,” 11
                                “A Recipe Against Crumbling,” 13-14

• Gerhard Wagner, “Enter the Dramatist: Little-Known Early Playlets by Aldous Huxley,” 15-17
• Aldous Huxley, “Albert: Prince Consort,” 19-31
                                “The Ambassador of Capripedia,” 32-39
                                “Socratic Dialogues of the Moment” [June 1922], 40-44
                                “Socratic Dialogues of the Moment” [July 1922], 45-50
                                “The Publisher: A Comedy in Five Scenes,” 51-58
                                “A Marriage of Inconvenience,” 59-66

• Jerome Meckier & Bernfried Nugel, “Aldous Huxley as a Painter,” 67-71
• “[Five Paintings by Aldous Huxley (ca. 1932)],” 73-77
• Aldous Huxley, “[Letter of 27 July 1935 to a Belgian Correspondent],” 78-79
• “Afterword” by Jean-Louis Cupers, 80-82

• James Sexton, “Introduction to the Excised Chapter of Time Must Have a Stop,” 83-85
• Aldous Huxley, “[The Excised Chapter from Time Must Have a Stop],” 86-108

• Bernfried Nugel & James Sexton, “Huxley’s Opus Magnum: An Anthology of Essays and Criticism”
   (1946), 109-114
• Aldous Huxley, “An Anthology of Essays and Criticism: Preface,” 115-116
                                “An Anthology of Essays and Criticism: Introduction,” 117-146
                                “[Letter of 24 March 1957 to Arturo Medina],” 147-148
• “Afterword” by Jesús Isaías Gómez López, 149-151

• James Sexton, “Introduction to the Toronto Luncheon Colloquy 1961,” 153
• “[A Toronto Luncheon Colloquy with Aldous Huxley],” 154-221

• Bernfried Nugel, “Aldous Huxley’s Plea for Desirable Human Potentialities: Some Unknown Late
   Comments” (1961-63), 223-229
• Aldous Huxley, “[Letter of 21 March 1963 to Dr Albert Hofmann: facsimile of sheet 1 (recto and verso)],”
                                  230-231
                                “[Three Letters to Albert Hofmann],” 232-235
                                “[Letter to Edwin A. Burtt],” 236-239
                                “[Two Letters to Tom Payne],” 240-244
                                “Human Resources” [1963], 245-250

II. Critical Articles
• Jesús Martínez del Castillo, “Aldous Huxley’s Concern for Language: An Analysis of Words and Their
   Meanings in the Light of Eugenio Coseriu’s Philosophy of Language,” 253-284

• Ronald Lee Zigler, “Ape and Essence: A Neurotheological Vision of the ‘God of the Limbic System’,”
   285-298

• Jerome Meckier, “Enemies of Utopia: Young Krishnamurti and Madame Blavatsky in Aldous Huxley’s
   Island,” 299-315

• Dana Sawyer, “Huxley, Heard, and Huston: ‘The Perennial Philosophy and the Future of Religion’,”
   317-329

• Bernfried Nugel, “‘That Hideous Kind of Fundamentalism’: Aldous Huxley’s View of ‘Righteous
   Indignation’,” 331-341

AHA, 12/13 (2012/2013), 353 pp., ISBN 978-3-643-90587-1

Contents:

• Alessandro Maurini, “On Pacifist and Cooperative Realism: A Misunderstanding in Turin Between
   Aldous Huxley and Giuseppe Prezzolini in 1958,” 1-14

• Aldous Huxley, “Seconda Visita a un Mondo Futuro” [1958], 15-22
• Aldous Huxley, “A Second Visit to a Future World” (trans. Alessandro Maurini), 23-30

• James Sexton, “Huxley’s Fascination with St Catherine of Siena: His Never-Completed Historical Novel,”
   31-46

• Aldous Huxley’s Drawings for “Leda”, 47-50

• Gerri Kimber, “A Note on Huxley’s Sketches for Leda and the Swan,” 51-56

• Rosa Borgonovi, “Aldous Huxley and the Sense of Travel: Between Journey and Metaphorical
   Exploration,” 57-79

• Brian Smith, “Elements and Causes: Deducing the Present from the Past in Aldous Huxley’s Grey
   Eminence,” 81-103

• R. S. Deese, “Agnostic Gospels: Divining Nature in the Work of Julian and Aldous Huxley,” 105-119

The Second Peter Edgerly Firchow Memorial Essay Prize:
• Hisashi Ozawa, “John and Ishi, ‘Savage’ Visitors to ‘Civilization’: A Reconsideration of Aldous Huxley’s
   Brave New World, Imperialism and Anthropology,” 123-147

• Painting by Carolyn Mary Kleefeld: “of each other”, 148

Papers from the Huxley Conference and the Fifth International Aldous Huxley Symposium Oxford 2013:
• Uwe Rasch, “The Oxford Huxley Forum: ‘Huxley and a New Generation of Readers’,” 151-154
• Kirpal Singh, “Why the Poetry of Aldous Huxley Matters Now: A Personal Perspective,” 155-160
• Robin Hull, “How Swiss Teenagers Read Brave New World,” 161-166
• Peter Wood, “Huxley’s Prescient Views on Education in Today’s American Classroom: A Personal View,”
   167-175
• Bianca Aguirre, “An Undergraduate’s Perspective on the Oxford Huxley Conference 2013,” 176-180

• Uwe Rasch, “‘Zen Archers: No Competition’. An Afterword to The Oxford Huxley Forum,” 181-194

• David Bradshaw, “‘A Blind Stay-at-Home Mole’: Huxley at Oxford 1913-1916,” 195-222

• Claudia Rosenhan, “Vera Brittain and Aldous Huxley: A Testament / Defeat of Youth - A Gendered
   Response to Education and War?,” 223-242

• Bernfried Nugel, “‘To Mustapha I Knowe the Worldes Affection’: Fulke Greville in Aldous Huxley’s Early
   Writings,” 243-264

• Gerd Rohmann, “The Title of Brave New World: Original Meanings and Current Implications,” 265-274

• Jesús Isaías Gómez López, “Doing Justice to Aldous Huxley’s Un Mundo Feliz: The Three Translations of
   Brave New World Into Spanish,” 275-290

• Marketa Goetz-Stankiewicz, “Huxley is Indeed Our Contemporary: Brave New World Seen Through Czech
   Eyes,” 291-302

• A. A. Mutalik-Desai, “‘Enemies of Freedom’: Aldous Huxley’s Views, 1932-1958,” 303-317

• Jerome Meckier, “‘My Hypothetical Islanders’: The Role of Islands in Brave New World and Island,”
   319-340

• Dana Sawyer, “Aldous Huxley and the Paranormal,” 341-353

AHA, 14 (2014), 283 pp., ISBN 978-3-643-90698-4

Contents:

• Joan Wines, “An Introduction to the Transcription of Aldous Huxley’s 1961 Diary,” 1-3

• Aldous Huxley, “1961 Diary: Entries June 15 through August 22,” 4-17

• Piero Ferrucci, “Aldous Huxley, Editor,” 19-34

• David King Dunaway/Lucas Shepherd, “The Huxley Tapes/Digitizing Huxley,” 35-43
• Lucas Shepherd, “Appendix: Selected List of the Huxley Tapes,” 44-61

• James Sexton, “Aldous Huxley in Brazil, August 1958: Some Background to Elizabeth Bishop’s Memoir,”
   63-68
• Elizabeth Bishop, “A New Capital, Aldous Huxley, and Some Indians” (1958), 69-104

• James Sexton, “An Introduction to Aldous Huxley’s Dialogue with Gilberto Freyre,” 105-107
• “A Dialogue Between Gilberto Freyre and Aldous Huxley, as Printed in Jornal do Brasil (Rio), 19 October
   1958,” 109-124

• Irina Golovacheva, “Huxley, Blok and Berdyaev: Observations on the Nature of the Russian Revolution,”
   125-135

• Michael Allis, “Searching for the ‘Musical Messiah’: Contemporary Music and Value in Aldous Huxley’s
   Music Criticisms,” 137-162

• Gerri Kimber, “Feeding Out for Friends’ Inkpots: Aldous Huxley and Katherine Mansfield,” 163-178

• Jerome Meckier, “Aldous Huxley and Experiment: The Case of Point Counter Point,” 179-197

• Julian Phillips, “Sir Alfred Mond’s Chemical Factory in Billingham and Its Impact on Aldous Huxley and
   Brave New World,” 199-210

• Roderick B. Overaa, “The Forgotten Modernists: The Case for Teaching W. Somerset Maugham and
   Aldous Huxley in the Undergraduate Classroom,” 211-228

• Roger Green, “Aldous Huxley and the Political Theologian,” 229-240

• Susan Reid, “Experiments in Entropy: Sun, Sea, Sex and Science in Novels by Huxley, Lawrence and
   McEwan,” 241-254

The Third Peter Edgerly Firchow Memorial Essay Prize:
• Julian Piras, “Suffering and the Liberation from Suffering: Core Concerns in the Works of Aldous Huxley,”
   257-283

AHA, 15 (2015), 291 pp., ISBN 978-3-643-90845-2

Contents:

• David Bradshaw, “Huxley and Progressive Education: Daltonism and the Dartington Hall Débâcle,” 1-20

• Uwe Rasch, “Satire in the Making: Aldous Huxley’s 1912 Sketchbook,”
                          “Selected Images from Aldous Huxley’s 1912 Sketchbook,” 21-56
                          “[Critical Analysis],” 57-119

• James Sexton, “A New Selection of Unpublished Huxley Letters,” 121-126
• Aldous Huxley, “[Letters 1914-1963],” 127-190

• Hisashi Ozawa, “The Uncanny Self: The Great War, Psychoanalysis and Aldous Huxley’s ‘Farcical History
   of Richard Greenow’,” 191-214

• Grzegorz Moroz, “Oxford Travel Book Writers as Gentlemen Scholars: Constructing Narrative Personae in
   Aldous Huxley’s Jesting Pilate, Robert Byron’s The Station and Evelyn Waugh’s Remote People,” 215-226

• Tom Serpieters, “The Writer as a Poet of Thought or as an Algebraist? A Comparative Account of Aldous
   Huxley’s and Paul Valéry’s Conception of Literature,” 227-241

• Heike Sieger, “Traces of Erewhon in Brave New World: Samuel Butler’s and Aldous Huxley’s Utopias and
   Their Sequels,” 243-272

• Peter Mortensen, “Tripping Back to Nature: Aldous Huxley, Psychedelics, and Pro-Technology
   Environmentalism,” 273-291

AHA, 16 (2016), 250 pp., ISBN 978-3-643-90979-4

Contents:

• James Sexton, “An Aldous Huxley Miscellany of Uncollected Essays, Together with a Checklist of the
   ‘Marginalia’ Essays from The Athenaeum,” 1-11
• Aldous Huxley, “From Widsith to Chaucer” (1917), 13-15
                                “Romain Rolland's Gallic Mood” (1919), 16-18
                                “Calvinopolis” (1919) 19-20
                                “Paris in Fiction” (1920), 21-23
                                “A Tchehov Play” (1920), 24-25
                                “[On Drama]” (1920), 26-28
                                “[On Gardens]” (1920), 29-32
                                “[Human Unity in Diversity]” (1920), 33-35
                                “[Character Types]” (1920), 36-38
                                “[Circus and Pantomime]” (1920), 39-42
                                “[Divorce and Police-Court News]” (1920), 43-46
                                “Gus Bofa” (1920), 47-48
                                “[Prikaz]” (1920), 49-52
                                “[Burlesque]” (1920), 53-56
                                “[Aristocracy (I)]” (1920), 57-59
                                “[Aristocracy (II)]” (1920), 60-63
                                “Volpone” (1921), 64-66
                                “The Tempest” (1921), 67-68
                                “A Peculiar Play” (1921), 69-71
                                “‘G. B. S.’ Season” (1921), 72-73
                                “A New Falstaff” (1921), 74-75
                                “The Circle” (1921), 76-78
                                “‘G. B. S.’ at Hampstead” (1921), 79-80
                                “Love for Love” (1921), 81-82
                                “The Wisdom of Building” (1921), 83-85
                                “Points of View” (1921), 86-87
                                “Our Duties to the Past and the Present” (1921), 88-90
                                “Snobisme and Opinion” (1922), 91-93
                                “A Standard Exhibition and a Comedian” (1922), 94-96
                                “Mosaic in the Modern House” (1923), 97-99
                                “A Christmas Present to the House” (1923), 100-102
                                “The Exhibition as an Educational Force” (1924), 103-105
                                “The Cheerful Dining-Room” (1924), 106-108
                                “Considering Christmas” (1924), 109-114
                                “The Fascination of Murder and Murderers” (1925), 115-118
                                “The Influence of Wren on Contemporary Architecture” (1925), 119-121
                                “Queer Impressions a Chinese City Gives” (1927), 122-123
                                “Our Inheritance of Superstitions” (1927), 124-125
                                “Exile and Literature” (1930), 126-127
                                “Has the Family Outlived Its Usefulness?” (1931), 128-130
                                “[Nationalism]” (1933), 131-133
                                “[Peace Conferences]” (1934), 134-135
                                “The Psychological Approach to History” (1935), 136-138
                                “Mr. Huxley Discusses His Thrice-Told Tale” (1950), 139-142

• James Sexton, “Aldous Huxley on Architecture,” 143-171

• Adam Parkes, “‘A Small Caste of Experts’: Aristocracy, Intelligence, and Stupidity in Huxley’s Interwar
   Fiction,” 173-190

• Thomas S. Allen, “Impressions of Puebloan Culture in Huxley’s Brave New World,” 191-199

• Roderick B. Overaa, “‘The Flower of the Present’: Buddhism and the Savage Reservation in Huxley’s
   Brave New World," 201-214

• R. S. Deese, “Beyond Brave New World: The Post-Huxleyan Feminism of Elisabeth Mann Borgese,”
   215-226

• David K. Dunaway, “Aldous Huxley and Spectacles: From ‘Eyeless’ to ‘Eyeland’,” 227-235

• Jerome Meckier, “Thanatopsis / Thanatology in Aldous Huxley’s Brave New World and Island,” 237-250

AHA, 17/18 (2017/2018), 294 pp., ISBN 978-3-643-91080-6

Contents:

• James Sexton & Bernfried Nugel, “Below the Equator: An Unpublished Isherwood-Huxley
   Collaboration,” 1-9
• “Editor’s Note on the Text,” 11
• “Below the Equator” (1950), 12-75

• James Sexton, “The Heroes: A Screenplay Adaption of a Lost Huxley Story,” 77-81
• “The Heroes” (Screenplay by William R. Cox), 82-102

• James Sexton, “Introduction to the Hubert Aquin - Aldous Huxley Interview 1960,” 103-106
• “A Translation of the Hubert Aquin Television Interview with Aldous Huxley, 12 June 1960,” 107-113

• Piero Ferrucci, “Coming of Age with Aldous Huxley,” 115-126
• Bernfried Nugel, Uwe Rasch and Gerhard Wagner (eds.), “Appendix: 3 Letters, 1 Postcard, and
   5 Photographs from the Ferrucci Family Archives,” 127-154

• Peter Wood, “Aldous Huxley’s Unknown 1934 Letter to René Schickele: A Mirror of the Writers’
   Community at Sanary,” 155-166

• Hisashi Ozawa, “‘Something Seemed to Be Lacking in Her’: The Maternal and the Feminine in Aldous
   Huxley’s Point Counter Point," 167-190

• Max Saunders, “The To-Day and To-Morrow Book Series and Aldous Huxley,” 191-207

• Jerome Meckier, “Four Notes on Huxley’s Brave New World,” 209-224

• Lawrence Davidson, “Brave New World’s Predictions in Light of Present Reality,” 225-231

• Jean-Louis Cupers, “‘Farcical History of Richard Greenow’ Revisited: A Musical Approach,” 233-250

• Heike Sieger, “Only a Matter of Taste? The Two Layers of Music in Aldous Huxley’s Ape and Essence,”
   251-262

• Valery Rabinovitch, “Utopian and Anti-Utopian Thought in Aldous Huxley’s Letters: His Virtual Dialogue
   with H. G. Wells and George Orwell,” 263-272

• Joan Wines, “The Conscious ‘Lunatic’ and the ‘Subliminal Self’ in Aldous Huxley’s 1961 Summer Diary,”
   273-279

• Bernfried Nugel, “‘The Silliest Line in Goethe’: Aldous Huxley’s Emendation of ‘Alles Vergängliche ist nur
   ein Gleichnis’,” 281-294

AHA, 19 (2019), 280 pp., ISBN 978-3-643-91250-3

Contents:

• James Sexton & Bernfried Nugel, “Aldous Huxley’s Unpublished Dramatization of Ape and Essence,”
   1-12
• Editor’s Note on the Text, 13-17
• Aldous Huxley, “Ape and Essence–A Play,” 19-91

• James Sexton, “‘A Particularly Painful Case of Overpopulation’: Aldous Huxley’s ‘Synopsis of a Film on
   Egypt’,” 93-96
• Aldous Huxley, “[Synopsis of a Film on Egypt],” 97-104

• Elisa Fortunato, “How to Escape a ‘Subhuman Lot’: Aldous Huxley’s The Politics of Ecology–The
   Question of Survival,” 105-112
• Aldous Huxley: “The Politics of Ecology–The Question of Survival,” 113-124

• James Sexton, “Aldous Huxley’s ‘Matter, Mind, and the Question of Survival’ and Two Connected
   Essays,” 125-127
• Aldous Huxley, “Science and the Supernatural” (1934), 129-143
                                “A Case of ESP, PK, and Psi” (1954), 145-159
                                “Matter, Mind, and the Question of Survival” (10 May 1960), 161-177

• James Sexton, “Aldous Huxley Introduces Edna St. Vincent Millay,” 179-185
• Aldous Huxley, “Mr. Huxley Introduces Miss Millay,” 187-188

• Bernfried Nugel, “Experimenting with Peyote: An Unknown Huxley Letter to Seabury Edwardes,”
   189-198

• Hisashi Ozawa, “Aldous Huxley and D. T. Suzuki: A Biographical Consideration of Their Relationship,”
   199-215
• Appendix: D. T. Suzuki, “Preface to Kuon no shinri (1951), the Japanese Translation of The Perennial
   Philosophy,” 216-218

• Gilles Iltis, “The Huxleys in Sanary (1930-1937): The Story of Fosca Gori,” 219-242

• Jerome Meckier, “Aldous Huxley and the Cure Scene in Modern Literary Utopias,” 243-266

• Bernfried Nugel, “The Anti-Utopian Drift in Aldous Huxley’s Literary Utopias,” 267-280

AHA, 20/21 (2020/2021), 457 pp., ISBN 978-3-643-91496-5

Contents:

• James Sexton, “A New Aldous Huxley Miscellany of Uncollected Essays 1-6
• Aldous Huxley, “Chapman’s Shakespeare” (1917), 7-9
                               “Gorki” (1917), 10-11
                               “Barrington’s Memoirs” (1918), 12-14
                               “Sayings of the Buddha” (1919), 15-17
                               “A New Derby Scheme” (1919), 18-21
                               “A Study in Romanticism” (1919), 22-26
                               “A Belated Essayist” (1919), 27-29
                               “M. Barbusse’s New Novel” (1919), 30-31
                               “[Eccles (Francis Yvon)]” (1919), 32-33
                               “Misery” (1919), 34-36
                               “M. Elie Faure” (1919), 37-38
                               “[B. R. Haydon]” (1919), 39-42
                               “Art and the Tradition” (1919), 43-45
                               “Cæsar or Nothing” (1919), 46-47
                               “England and Italy” (1919), 48-49
                               “Buffon” (1919), 50-53
                               “Prometheus Illbound” (1919), 54-55
                               “The Great Illusion ” (1919), 56-59
                               “A Novel by Jules Renard” (1919), 60-62
                               “French Literature” (1919), 63-66
                               “[Edward Lear]” (1919), 67-68
                               “Sir William Watson’s Idealism” (1919), 69-71
                               “Islands of the Blest” (1919), 72-75
                               “Hector Berlioz: A Napoleon of Music” (1920), 76-79
                               “Shakespeare’s Versification” (1920), 80-83
                               “A Critic on Reviewers” (1920), 84-85
                               “A Guide-Book to Literature” (1920), 86-88
                               “The Guitry Season” (1920), 89-90
                               “The Guitry Season: La Prise de Berg-op-Zoom at the Aldwych” (1920), 91-92
                               “Jean de la Fontaine” (1920), 93-94
                               “[The Guitry Season]” (1920), 95-97
                               “Nursery Rhyme and Poetry” (1920), 98-99
                               “Madame Sand” (1920), 100-102
                               “Two Manifestations of Comedy” (1920), 103-106
                               “I’ll Leave It to You” (1920), 107-108
                               “André Gide” (1920), 109-110
                               “The One and the Many” (1920), 111-112
                               “‘Bello Bello’” (1924), 113-117
                               “Decorating Walls with Maps” (1924), 118-120
                               “The Douanier Rousseau: A Primitive Painter in Modern France” (1925), 121-123
                               “In Defence of Hypocrisy” (1925), 124-129
                               “Dekker’s Dim Brown Masterpiece” (1927), 130-131
                               “There Were Giants in Those Days” (1928), 132-134
                               “‘American Sources of Modern Art’” (1933), 135-138
                               “Turning Point” (1935), 139-142
                               “Science and Religion” (1935), 143-145
                               “Religious Practices in Central America” (1935), 146-151
                               “Art and Letters in Their Relation to Enduring Peace” (1944), 152-157
                               “A Positive Program of Research for Peace” (1947), 158-159
                               “Introduction to Frederick Catherwood Archt.” (1950), 160-163
                               “Le lotissement, l’école: deux symboles bien français!” (1935), 164-173
                               “Comment la malhonnêteté peut-elle naître d’un sol d’honnêteté?” (1935), 174-182

• James Sexton & Sarah Hughes, “Introduction to the Edward James–Aldous Huxley Correspondence,”
   183-193
• Edward James / Aldous Huxley, “The Edward James–Aldous Huxley Correspondence, 1939-1940,
   195-212
• Edward James, “[James Memoir] (1940),” 213-226

Papers from the Seventh International Aldous Huxley Symposium in Toulon 2021:
• James Sexton, “Aldous Huxley on France and French Literature,” 229-264

• Gerri Kimber, “‘Sun, roses, fruit, warmth’: Mansfield, Lawrence and Huxley on the Med,” 265-280

• Gerd Rohmann, “Aldous Huxley and the Community of German and Austrian Refugees in France,"
   281-287

• Lawrence Davidson, “Aldous Huxley and a Life of Voluntary Exile,” 289-297

• Shanteena Augusto Sabbadini, “‘The Inanimate Is Alive’: Quantum Theory and Perennial Philosophy,”
   299-312

• Robin Hull, “Aldous Huxley and Hermann Hesse: Strangers and Soulmates,” 313-326

• Maša Uzelac, “Transcending Materialist Dualism: The Role of Mysticism in Huxley’s and Houellebecq’s
   Philosophies,” 327-353

• Eva Oppermann, “Real and Digital Exile: Social Control in Aldous Huxley’s Brave New World (1932) and
   Dave Eggers’ The Circle (2013),” 355-388

• Heike Sieger, “The Art of Adaptation: Huxley’s Versions of His Own and Other Works,” 389- 403

• Philip Ward, “‘Swarthy Syrian’ or ‘Nimble Greek’?: Aldous Huxley and Michael Arlen,” 405- 418

• Nicolas Balutet, “Aldous Huxley and Pre-Columbian Mesoamerican Cultures in Beyond the Mexique Bay
   (1934),” 419-437

• David K. Dunaway, “Aldous Huxley’s Science, Liberty and Peace,” 439-446

• Jerome Meckier, “Richelieu’s Piles: Satire as History in Aldous Huxley’s Grey Eminence and The Devils of
   Loudun,” 447-457

AHA, 22 (2022), 269 pp., ISBN 978-3-643-91635-8

Contents:

• Aldous Huxley, “A Lunndon Mountaineering Essay,” 1-4
• “Afterword” by Gerhard Wagner, 5-8

• James Sexton, “Introduction to Aldous Huxley’s Contributions at the Paris 1933 Congress on the Future
   of the European Spirit,” 9-13
• Aldous Huxley, “[Contributions to L’avenir de l’esprit européen],” 15-23
• English translation by James Sexton, 24-30

Selected Papers from the Seventh International Aldous Huxley Symposium at the University of Toulon 2021:
I. The Toulon Huxley Forum:
• Dana Sawyer, “Introduction,” 35-36

• Uwe Rasch, “Aldous Huxley: Anarchist,” 37-65

• Alessandro Maurini, “A Non-Controversial Philosophical Theory: Aldous Huxley’s Political Realism,”
   67-73

• Laura Muzzetto, “The Development of Aldous Huxley’s Political Thought in His Dystopian and Utopian
   Works,” 75-94

• Joaquín-José Cuéllar Trasorras, “Aldous Huxley’s References to Spanish Mysticism in ‘The Death of Lully’
   and The Perennial Philosophy,” 95-108

• Ronja Tripp-Bodola & Erin Capone, “Exiled Minds and the Mind’s Exiles: Aldous Huxley on Mental
   Health,” 109-123

II. Further Papers:
• Valeria Emi Sgueglia, “More Buddha-like than Buddhist: Aldous Huxley’s Personal Navigation of Indian
   Thought,” 127-143

• Filip Świerczyński, “’I Never Pretended to Be a Congenital Novelist’: On the Poetics of Aldous Huxley
   through the Prism of Genettian Narratology,” 145-158

• Maria Babkina, “The World of Light in the Context of the Evolution of Aldous Huxley’s World-View,”
   159-163

• Jean-Claude Mary, “Aldous and Julian Huxley: Two Contrapuntal Approaches to Life,” 165-175

• Alice Bailey Cheylan, “Appreciation and Discord: Richard Aldington’s Fluctuating Esteem and Criticism
   of Aldous Huxley Emerging from the Traumatism of the Great War,” 177-184

• Irina Golovacheva, “From ‘The Best Picture’ to the ‘Dancing Shiva’: Aldous Huxley’s Choice of the
   Greatest Works of Art,” 185-200

• Joan Wines & Jackson Reed, “Second-Wave Psychoactive Drug Research: A Huxley Vision Revived,”
   201-211

• Bernfried Nugel, “’An Old Codger, Rampant, But Still Learning’: Aldous Huxley and Heraldry,” 213-227

Other Critical Articles:
• Matthew Henningsen, “’Towards an Understanding of Aldous Huxley’s ‘Really Revolutionary
   Revolution,’”231-253

• Kirpal Singh, “Looking Back Fifty Years: My Huxley Experience,” 255-258

• Jerome Meckier, “Aldous Huxley on Charles Dickens,” 259-269

AHA, 23/24 (2023/2024), 289 pp., ISBN 978-3-643-91761-4

Contents:

• James Sexton, “A New Selection of Unpublished Huxley Letters,” 1-5
• Aldous Huxley, “[Letters 1915-1961],” ed. James Sexton, 9-55

• [Aldous Huxley], “Boggarts,” ed. Bernfried Nugel, 57-63
• Bernfried Nugel, “Afterword: Aldous Huxley’s Satirical Ghost Story,” 65-73

“Our End Is Peace”: Selected Pacifist Texts, 1935-1936, ed. Gerhard Wagner
• Uwe Rasch, “‘Our End Is Peace’: Introduction to Selected Pacifist Texts,” 75-82
• Aldous Huxley, “Pacifism and Philosophy,” 83-93
                               “1936 . . . Peace?,” 94-96
                               “‘Just Wars,’” 97-98
                               “100,000 Say No!: Aldous Huxley and ‘Dick’ Sheppard Talk About Pacifism,” 99-112
                               “Art in Modern War: Spreading the Spirit of Peace,” 112-114
                               “[‘Collective Security’],” 115-117
                               “Sanctions,” 118-122
                               “Pacifism and Civil War,” 123-126

• Bernfried Nugel & Gerhard Wagner, “An Introduction to the Urtext of Ends and Means,” 127-133
• Aldous Huxley, “[Urtext of Ends and Means (1937)],” ed. Bernfried Nugel & Gerhard Wagner,” 135-161

• Aldous Huxley, “A Tour Through Time,” ed. Gerhard Wagner,” 163-171
• Gerhard Wagner, “Afterword to ‘A Tour Through Time,’” 172-175

• Bernfried Nugel & Gerhard Wagner, “Huxley’s Contribution to ‘A Symposium on Space: Has Man’s
   Conquest of Space Increased or Diminished His Stature?’ (1963): An Introductory  Note,” 177-181
• Aldous Huxley, “Has Man’s Conquest of Space Increased or Diminished His Stature?,” ed. Bernfried
   Nugel & Gerhard Wagner, 183-199

• Kiyoko Magome, “Aldous Huxley’s Point Counter Point as a Catalyst for the Exploration of Musico-
   Literary String Quartets During the Modernist Period,” 201-221

• Amber Hisatomi, “From Mockery to Inspiration: Bloomsbury’s Evolutionary Presence in Aldous Huxley’s
   Novels,” 223-236

• Heike Sieger, “Aldous Huxley’s Concept of a Vicious Circle in Ape and Essence,” 237-250

• Andrija Matić, “Between the ‘Burning Sulphur of Passion’ and the ‘Nimble Mercurial Soul’: Religion and
   Spirituality in Aldous Huxley’s Short Stories,” 251-270

• Theodor Itten & Ron Roberts, “Francis Huxley and Uncle Aldous,” 271-289