Titus Andronicus
The Roman commander, Titus
Andronicus, returns victoriously from the war against the (allegedly) barbarian
Goths. During his absence a battle for the imperial crown has erupted in his
country. Triumphant but weary of war and politics, Titus commits two crucial
errors right at the beginning: He rejects the sovereignty offered him and thus
allows the neurotic Prince Saturninus to ascend the throne. Moreover he has
Tamora’s eldest son – according to
traditional martial law – brutally executed before the queen of the Goth’s very
eyes. She swears to relentlessly seek revenge and thus a web of violence and
excesses is spun from which there is no escape.
TITUS ANDRONICUS is a bloody,
salacious and at the same time perceptive play in which all political elements become
a charade. It
is a meditation about the nature of evil and about the kind of atrocities that
are committed in the guise of truth, honour and justice. The world of the play
only allows room for love when it is confused with lust or as the exaggerated
affection between parents and children.